Am
Block 1 · ii
Playback used: A maior
While the library grows, this block reuses the closest published asset to A menor.
ii-V-I in G Major with a ready-made timeline, practical explanation, and a shortcut to open the progression in the Padflow editor.
ii-V-I in G Major is a useful base for rehearsals, practice sessions, and worship moments where the band needs a predictable, musical progression that is quick to assemble.
The ii-V-I cadence is one of the strongest resolutions in tonal harmony and helps train your ear, voice leading, and sense of arrival.
It is valuable for transitions, interludes, song endings, and any moment when you want to prepare the congregation for a convincing return to the main key.
Time per cycle
8 beats
Estimated duration
6s
Default crossfade
600 ms
Initial loop
Infinite
Am
Block 1 · ii
Playback used: A maior
While the library grows, this block reuses the closest published asset to A menor.
D
Block 2 · V
Playback used: D maior
G
Block 3 · I
Playback used: G maior
Use a moderate BPM and give the V room to breathe. A short crossfade makes the preparation more defined; a long one softens the boundary between chords.
In the editor, duplicate the cycle, test different tonalities, and notice how the ear starts to anticipate the resolution when ii and V are balanced in the timeline.
C Major
ii-V-I in another key so you can transpose faster.
C# Major
ii-V-I in another key so you can transpose faster.
D Major
ii-V-I in another key so you can transpose faster.
D# Major
ii-V-I in another key so you can transpose faster.
E Major
ii-V-I in another key so you can transpose faster.
F Major
ii-V-I in another key so you can transpose faster.
How to study harmony with pads
Pads help with harmony study because they keep a tonal region stable in the air, making resolution, tension, and tonal center easier to hear.
A simple mobile setup for using pad
A simple phone-based pad setup depends on quick key access, controlled volume, and care with screen, battery, and audio output.
Which keys are most common in worship?
C, D, E, G, and A show up often in worship because they balance vocal comfort, simple shapes, and strong band usability.